Liszt: The Complete Piano Music

Liszt Complete Piano Music

Franz Liszt (1811-1886)
The Complete Piano Music

Leslie Howard (piano)
99CDs
A dobozhoz tartozik egy Liszt műjegyzék útmutató
könyv és a teljes Liszt zongoraművek összkiadás
99 CD pontos leírása.
Kiadás: 2011. február
A limitált Liszt zongoraművek összkiadás Leslie Howard
felvételei egy exkluzív dobozban.

Total duration: 7255 minutes 52 seconds

Kiadó:
Ár: 53990 Ft  
Előadó:
Szállítás: Megrendelésre
Zeneszerző:
Lemezszám: 99 db
Kategória:

További információ

COMPACT DISC Total Time: [00:25:39]

Franz Liszt (1811-1886)
The Complete Piano Music
CD65
Symphony No 7 in A major, S464/7 Ludwig van Beethoven (1770-1827)
1 Movement 1: Poco sostenuto – Vivace [14'46]
2 Movement 2: Allegretto [9'55]
3 Movement 3: Presto – Assai meno presto – Da capo tutto – Presto – Assai meno presto – Presto [9'08]
4 Movement 4: Allegro con brio [8'57]
Symphony No 8 in F major, S464/8 Ludwig van Beethoven (1770-1827)
5 Movement 1: Allegro vivace e con brio [9'32]
6 Movement 2: Allegretto scherzando [4'22]
7 Movement 3: Tempo di menuetto – Trio – Menuetto [4'37]
8 Movement 4: Allegro vivace [7'51]
CD66
Symphony No 9 in D minor ‘Choral’, S464/9 Ludwig van Beethoven (1770-1827)
1 Movement 1: Allegro ma non troppo, un poco maestoso [15'29]
2 Movement 2: Molto vivace – Presto – Da capo tutto – Coda – Presto [13'45]
3 Movement 3: Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio [13'56]
4 Movement 4: Presto – Allegro assai ‘Ode to Joy’ [23'34]
CD67
THE EARLY BEETHOVEN TRANSCRIPTIONS
Symphony No 5 in C minor, S463a Ludwig van Beethoven (1770-1827)
1 Movement 1: Allegro con brio [8'52]
2 Movement 2: Andante con moto – Più mosso – Tempo I [11'17]
3 Movement 3: Scherzo – Trio – Scherzo – Trio – Scherzo [9'58]
4 Movement 4: Allegro – Tempo I. Scherzo – Allegro – Presto [12'26]
5 Adelaïde de Beethoven, S466i [8'04]
Ludwig van Beethoven (1770-1827)
6 Cadenza for the 1st movement of Beethoven’s Piano Concerto No 3, S389a [2'07]
7 Marche funè­bre de la Symphonie heroïque de L. van Beethoven – Partition de piano, S463e [16'43]
Ludwig van Beethoven (1770-1827)
CD68
Symphony No 6 in F major ‘Pastoral’, S463b Ludwig van Beethoven (1770-1827)
1 Movement 1: Exposition des sentimens à­ l’aspect des campagnes riantes. Allegro ma non troppo [12'12]
2 Movement 2: Scè­ne au bord du ruisseau. Andan te molto moto [12'37]
3 Movement 3: Scherzo. Lustige Zusammensein der Landleute – Allegro – Allegro – Da capo, tutto – Tempo I [5'32]
4 Movement 4: Grande tempê­te. Allegro [3'53]
5 Movement 5: Sentimens de joie et de reconnaissance aprè­s la tempê­te. Allegretto [9'47]
6 Adélaïde de Beethoven, S466ii [13'53]
Ludwig van Beethoven (1770-1827)
Symphony No 6 in F major ‘Pastoral’, S463c Ludwig van Beethoven (1770-1827)
7 Movement 5: Hirtengesang ‘Frohe, dankbare Gefühle nach dem Sturm’. Allegretto [10'05]
CD69
Symphony No 7 in A major, Op 92 Ludwig van Beethoven (1770-1827)
1 Partial transcription of Movement 1: Poco sostenuto [3'12]
Symphony No 7 in A major, S463d Ludwig van Beethoven (1770-1827)
2 Movement 1: Poco sostenuto – Vivace [16'01]
3 Movement 2: Allegretto [10'02]
4 Movement 3: Presto – Assai meno presto – Da capo tutto – Presto – Assai meno presto – Presto [10'54]
5 Movement 4: Allegro con brio [9'47]
6 Fantasie über Motive aus Beethovens “Ruinen von Athen”, S388b [4'53]
Ludwig van Beethoven (1770-1827)
Marche au supplice de la Sinfonie fantastique /Épisode de la vie d’un artiste/ de Hector Berlioz, S470a Hector Berlioz (1803-1869)
7 No 1. Introduction to Movement 4: Introduction – L’idée fixe [3'59]
8 No 2. Movement 4: Marche au supplice [7'57]
CD70
THE SCHUBERT TRANSCRIPTIONS
Soirées de Vienne – Valses-caprices d’aprè­s Fr. Schubert, S427 Franz Peter Schubert (1797-1828)
1 No 1: A flat major [6'54]
2 No 2: A flat major [8'29]
3 No 3: E major [9'58]
4 No 4: D flat major [7'00]
5 No 5: G flat major [10'36]
6 No 6: A minor [7'02]
7 No 7: A major [6'23]
8 No 8: D major [10'50]
9 No 9: A flat major [9'41]
CD71
Mélodies hongroises d’aprè­s Fr. Schubert, S425 Franz Peter Schubert (1797-1828)
1 No 1: Andante [17'29]
2 No 2: Marche hongroise (first Diabelli version) [6'06]
3 No 3: Allegretto [23'40]
4 Die Rose – Lied von Franz Schubert, S556i [4'11]
Franz Peter Schubert (1797-1828)
5 Der Gondelfahrer – M­­änner-Quartett von F. Schubert, S559 [6'26]
Franz Peter Schubert (1797-1828)
Soirées de Vienne – Valses-caprices d’aprè­s Fr. Schubert, S427 Franz Peter Schubert (1797-1828)
6 No 6ii: A minor (version for Sophie Menter, 1869) [8'19]
Mélodies hongroises d’aprè­s Fr. Schubert, S425 Franz Peter Schubert (1797-1828)
7 No 2iv: Marche hongroise (1879; version for Sophie Menter) [7'00]
CD72
Franz Schuberts M­­ärsche für das Pianoforte übertragen, S426 Franz Peter Schubert (1797-1828)
1 No 1: Trauermarsch – Grande marche funè­bre [18'31]
2 No 2: Grande marche [13'51]
3 No 3: Grande marche caractéristique [12'31]
4 Marche militaire /Franz Schubert/ – Grande paraphrase de concert, S426a [5'40]
Franz Peter Schubert (1797-1828)
Mélodies hongroises d’aprè­s Fr. Schubert, S425 Franz Peter Schubert (1797-1828)
5 No 2ii: Marche hongroise (circa 1840; Lucca edition) 6’18
6 Ave Maria Ellens dritter Gesang – Mélodie de Franç­ois Schubert, S557d [7'45]
Franz Peter Schubert (1797-1828)
7 La sérénade St­­ändchen, Leise flehen – Mélodie de Franç­ois Schubert, S559a [6'46]
Franz Peter Schubert (1797-1828)
8 Le roi des aulnes Erlkönig – Mélodie de Franç­ois Schubert, S557a [4'11]
Franz Peter Schubert (1797-1828)
CD73
Franz Schuberts Vier Geistliche Lieder, S562 Franz Peter Schubert (1797-1828)
1 No 1: Litanei, auf das Fest aller Seelen [4'05]
2 No 2: Himmelsfunken [4'34]
3 No 3: Die Gestirne [6'15]
4 No 4: Hymne ‘Geisterchor aus Rosamunde’ [2'59]
Schuberts Ungarische Melodien aus dem ungarischen Divertissement zu vier H­­änden, S425bis Franz Peter Schubert (1797-1828)
5 No 1: Andante [8'28]
6 No 2: Marcia ‘Marche hongrois, second Diabelli Edition’ [5'50]
7 No 3: Allegretto [5'49]
Six Mélodies favorites de La Be lle Meuniè­re de Franç­ois Schubert, S565 Franz Peter Schubert (1797-1828)
8 No 1: Das Wandern [2'01]
9 No 2: Der Müller und der Bach [6'00]
10 No 3: Der J­­äger [0'39]
11 No 4: Die böse Farbe [2'51]
12 No 5: Wohin? [3'15]
13 No 6: Ungeduld. Second transcription [2'17]
14 Meeresstille – Lied von Fr. Schubert, S557b [2'57]
Franz Peter Schubert (1797-1828)
15 Die Forelle, S564 [4'10]
Franz Peter Schubert (1797-1828)
16 St­­ändchen ‘Leise flehen’ – Lied von Fr. Schubert, S560/7a [6'55]
Franz Peter Schubert (1797-1828)
CD74
Schwanengesang – Vierzehn Lieder von Franz Schubert, S560 Franz Peter Schubert (1797-1828)
1 No 01: Die Stadt [2'46]
2 No 02: Das Fischerm­­ädchen [3'48]
3 No 03: Aufenthalt [3'36]
4 No 04: Am Meer [4'53]
5 No 05: Abschied [5'19]
6 No 06: In der Ferne [8'35]
7 No 07: St­­ändchen ‘Leise flehen’ (second version) [6'29]
8 No 08: Ihr Bild [2'53]
9 No 09: Frühlingssehnsucht [2'30]
10 No 10: Liebesbotschaft [3'04]
11 No 11: Der Atlas [2'56]
12 No 12: Der Doppelg­­änger [4'36]
13 No 13: Die Taubenpost [5'31]
14 No 14: Kriegers Ahnung [7'12]
15 Frühlingsglaube – Lied von Franz Schubert, S557c [3'50]
Franz Peter Schubert (1797-1828)
Mélodies hongroises d’aprè­s Fr. Schubert, S425 Franz Peter Schubert (1797-1828)
16 No 2v: Marche hongroise (Fr. Schubert) (1879; ‘Troisiè­me Édition’) [7'20]
CD75
Winterreise – Zwölf Lieder von Franz Schubert, S561 Franz Peter Schubert (1797-1828)
1 No 01: Gute Nacht [5'14]
2 No 02: Die Nebensonnen [4'06]
3 No 03: Mut [1'37]
4 No 04: Die Post [2'51]
5 No 05: Erstarrung [3'44]
6 No 06: Wasserflut [2'28]
7 No 07: Der Lindenbaum [5'05]
8 No 08: Der Leiermann [1'56]
9 No 09: T­­äuschung [1'51]
10 No 10: Das Wirtshaus [4'54]
11 No 11: Der stürmische Morgen [1'01]
12 No 12: Im Dorfe [5'09]
Sechs Melodien von Franz Schubert, S563 August Heinrich von Weyrauch (1788-1865)
13 No 1: Lebe wohl! [4'29]
14 No 2: M­­ädchens Klage [5'22]
15 No 3: Das Sterbeglöcklein ‘Das Zügenglöcklein’ [8'49]
16 No 4: Trockne Blumen [3'05]
17 No 5: Ungeduld. First transcription [2'20]
18 No 6: Die Forelle. First version [3'55]
Mélodies hongroises d’aprè­s Fr. Schubert, S425 Franz Peter Schubert (1797-1828)
19 No 2iii: Marche hongroise (Fr. Schubert) (circa 1840; Richault edition) [6'35]
CD76
Zwölf Lieder von Fr. Schubert, S558 Franz Peter Schubert (1797-1828)
1 No 01: Sei mir gegrüsst, D741 [5'53]
2 No 02: Auf dem Wasser zu singen, D774 [4'27]
3 No 03: Du bist die Ruh’, D776 [5'21]
4 No 04: Erlkönig (second version), D328d [4'08]
5 No 05: Meeresstille (second version), D216 [3'00]
6 No 06: Die junge Nonne, D828 [5'25]
7 No 07: Frühlingsglaube (second version), D686c [4'07]
8 No 08: Gretchen am Spinnrade, D118 [3'58]
9 No 09: St­­ändchen von Shakespeare ‘Horch, horch! die Lerch”, D889 [2'53]
10 No 10: Rastlose Liebe, D138a [1'42]
11 No 11: Der Wanderer, D489c [6'52]
12 No 12: Ave Maria ‘Ellens dritter Gesang’ (second version), D839 [6'15]
Müllerlieder von Franz Schubert, S565bis Franz Peter Schubert (1797-1828)
13 No 1: Das Wandern [2'01]
14 No 2: Der Müller und der Bach [6'01]
15 No 3: Der J­­äger [0'39]
16 No 4: Die böse Farbe [2'52]
17 No 5: Wohin? [3'10]
18 No 6: Ungeduld (second transcription) [2'20]
19 Die Nebensonnen – Albumblatt /Fr. Schubert/, S561/2bis [0'55]
Franz Peter Schubert (1797-1828)
CD77
Schwanengesang – Vierzehn Lieder von Franz Schubert, S560bis Franz Peter Schubert (1797-1828)
1 No 01: Die Stadt [2'42]
2 No 02: Das Fischerm­­ädchen [2'58]
3 No 03: Aufenthalt [3'31]
4 No 04: Am Meer [4'46]
5 No 05: Abschied [5'22]
6 No 06: In der Ferne [8'29]
7 No 07: St­­ändchen ‘Leise flehen’ (third version) [4'14]
8 No 08: Ihr Bild [2'54]
9 No 09: Frühlingssehnsucht [2'31]
10 No 10: Liebesbotschaft [3'05]
11 No 11: Der Atlas [2'58]
12 No 12: Der Doppelg­­änger [4'32]
13 No 13: Die Taubenpost [4'58]
14 No 14: Kriegers Ahnung [7'15]
Franz Schuberts Vier Geistliche Lieder, S562 Franz Peter Schubert (1797-1828)
15 No 3bis: Die Gestirne [6'46]
16 Meeresstille – Lied von Fr. Schubert, S557b/bis [2'49]
Franz Peter Schubert (1797-1828)
17 Die Forelle – Lied von Fr. Schubert, S563/6bis [4'03]
Franz Peter Schubert (1797-1828)
CD78
1 Die Rose – Lied von Fr. Schubert, S556ii [4'40]
Franz Peter Schubert (1797-1828)
2 Lob der Tr­­änen – Lied von Fr. Schubert, S557 [4'43]
Franz Peter Schubert (1797-1828)
Zwölf Lieder von Fr. Schubert, S558bis Franz Peter Schubert (1797-1828)
3 No 03: Du bist die Ruh’ [5'02]
4 No 04: Erlkönig (third version) [4'09]
5 No 07: Frühlingsglaube (third version) [4'21]
6 No 08: Gretchen am Spinnrade [4'07]
7 No 09: St­­ändchen von Shakespeare ‘Horch, horch! die Lerch” [2'35]
8 No 11: Der Wanderer [6'34]
9 Meeresstille – Lied von Fr. Schubert, S558/5bis [2'47]
Franz Peter Schubert (1797-1828)
Winterreise – Zwölf Lieder von Franz Schubert, S561bis Franz Peter Schubert (1797-1828)
10 No 02: Die Nebensonnen [4'03]
11 No 03: Mut [1'37]
12 No 07: Der Lindenbaum [5'05]
13 No 10: Das Wirtshaus [5'00]
14 No 11: Der stürmische Morgen [1'03]
15 No 12: Im Dorfe (unchanged from first version, but attached to No 11) [5'08]
Mélodies hongroises d’aprè­ s Fr. Schubert, S425 Franz Peter Schubert (1797-1828)
16 No 2vi: Marche hongroise (Fr. Schubert) (1879; ‘Troisiè­me édition’, alternative text) [7'17]
Soirées de Vienne – Valses-caprices d’aprè­s Fr. Schubert, S427 Franz Peter Schubert (1797-1828)
17 No 6iii: A minor (1879; second edition) [9'46]
CD79
SCHUBERT & WEBER TRANSCRIPTIONS
Fantasie Wanderer Opus 15 Franz Schubert /Instructiv-Ausgabe/, S565a Franz Peter Schubert (1797-1828)
1 Movement 1: Allegro con fuoco ma non troppo [6'15]
2 Movement 2: Adagio [7'54]
3 Movement 3: Presto [4'56]
4 Movement 4: Allegro [3'33]
5 Impromptu /Fr. Schubert/ Op. 90, Nr. 2 in E flat major /Instructiv-Ausgabe/, S565b/1 [4'58]
Franz Peter Schubert (1797-1828)
6 Impromptu /Fr. Schubert/ Op. 90, Nr. 3 in G flat major /Instructiv-Ausgabe/, S565b/2 [5'53]
Franz Peter Schubert (1797-1828)
7 Die Rose – Lied von Fr. Schubert, S556i/bis [5'07]
Franz Peter Schubert (1797-1828)
8 Jubelouvertüre von Carl Maria von Weber – Klavierpartitur, S576 [8'09]
Carl Maria von Weber (1786-1826)
9 Konzertstück /C. M. v. Weber/ Op. 79, S576a [17'10]
Carl Maria von Weber (1786-1826)
10 Carl Maria von Webers Polonaise brillante Op. 72, S455 [10'54]
Carl Maria von Weber (1786-1826)
CD80
FIRST THOUGHTS & SECOND DRAFTS
1 Paralipomè­nes à­ la Divina Commedia, S158a [20'00]
2 Sposalizio, S157a [7'48]
3 Grand solo de concert, S175a [15'04]
4 Élégie pour piano seul, S534i [5'33]
5 Romance oubliée, S527bis [1'55]
6 Prolégomè­nes à­ la Divina Commedia, S158b [20'27]
CD81
1 Pr­­äludium und Fuge über das Motiv B-A-C-H, S529i [11'54]
Weihnachtsbaum, S185a
2 No 01: Psallite – Altes Weihnachtslied [1'27]
3 No 02: O heilige Nacht [1'10]
4 No 03: Die Hirten an der Krippe ‘In dulci iubilo’ [2'14]
5 No 04: Adeste fideles, gleichsam als Marsch der heiligen drei Könige [2'24]
6 No 05: Scherzoso [0'57]
7 No 06: Réveille-Matin ‘Wecker’ – Carillon, first version [1'55]
8 No 07: Schlummerlied [2'16]
9 No 08: ‘Alt-provenzalische Noë­l’ [1'20]
10 No 09: ‘Abendglocken, first version’ [2'43]
11 No 10: ‘Ehemals, first version’ [2'31]
12 No 11: Ungarisch [1'41]
13 No 12: Polnisch [3'50]
14 À la chapelle Sixtine – “Miserere” d’Allegri et “Ave verum” de Mozart, S461i [10'43]
Gregorio Allegri (1582-1652) & Wolfgang Amadeus Mozart (1756-1791)
Ungarische National-Melodien /In leichten Style bearbeitet/, S243bis
15 No 1: D major [1'31]
16 No 2: C major [0'29]
17 No 3: B flat major [1'42]
18 Ungarische National-Melodie, S242/13a [5'45]
19 Aprè­s une lecture du Dante – Fantasia quasi Sonata, S158c [18'15]
CD82
1 Grande fantaisie di bravura sur “La Clochette” de Paganini, S420 [17'57]
Nicolò­ Paganini (1782-1840)
2 Den Schutz-Engeln ‘Angelus!’, S162a/1 [3'59]
3 Petite valse favorite, S212i [2'38]
4 Valse mélancolique, S210 [5'06]
5 Mélodie polonaise, S249a [1'11]
Légendes, S175
6 No 2bis: St Franç­ois de Paule marchant sur les flots [7'14]
7 Vierter Mephisto-Walzer, S216b [2'52]
8 Valse-Impromptu, S213a [6'38]
9 Valse mélancolique, S210a [5'40]
10 Le lac de Wallenstadt, S156/2a bis [2'44]
11 Angelus!, S162a/2 [3'56]
12 Den Cypressen der Villa d’Este – Thrénodie, S162b [8'33]
13 Variations sur Le Carnaval de Venise de Paganini, S700a [5'35]
Nicolò­ Paganini (1782-1840)
CD83
1 Hungaria – Poè­me symphonique No 9, S511e [22'37]
2 Rákóczi-Marsch, S244b [10'43]
3 Sunt lacrymae rerum, S162c/i [7'52]
Zwei Stücken aus der heiligen Elisabeth, S693a
4 No 1: Das Rosenmirakel [8'57]
5 No 2: Der Sturm [6'32]
6 Trois iè­me Valse oubliée, S215/3a [5'29]
7 Grand galop chromatique, S219bis [2'36]
8 Huldigungsmarsch, S228i [7'42]
CD84
1 Grande fantasie sur des thè­mes de Paganini – Variations sur La clochette et Le Carnaval de Venise, S700i [14'21]
2 Angelus! Priè­re à­ l’ange gardien , S162a/3 [6'09]
Historische ungarische Bildnisse, S205a
3 No 1: Széchényi István [2'32]
4 No 2: Deák Ferenc [2'08]
5 No 3: Teleki László [2'47]
6 No 4: Eötvös József [2'18]
7 No 5: Vörösmarty Mihály [2'40]
8 No 6: Petöfi Sándor [4'47]
9 No 7: Mosonyi Mihály [8'07]
10 An gelus! Priè­re à­ l’ange gardien, S162a/4 [7'33]
11 Grande fantasie sur des thè­mes de Paganini – Variations sur La clochette et Le Carnaval de Venise, S700ii [19'32]
CD85
RARITIES, CURIOSITIES, ALBUM-LEAVES & FRAGMENTS
1 Orpheus – Poè­me symphonique No 4, S511b [10'51]
Orgel-Fantasie und Fuge in g-moll von J. S. Bach, S463i Johann Sebastian Bach (1685-1750)
2 Movement 1: Fantasie [5'53]
3 Movement 2: Fuge [5'31]
4 Mes joies – Nocturne d’aprè­s un chant polonais de Fr. Chopin, S480/5bis [4'57]
Frédéric Chopin (1810-1849)
5 Liebeslied /Widmung/ von Robert Schumann, S566a [2'34]
Robert Schumann (1810-1856)
6 Marche pour le Sultan Abdul Medjid-Khan, S403bis [6'23]
Giuseppe Donizetti (1788-1856)
7 Caritas nach Rossini, S552a [9'55]
Gioacchino Rossini (1792-1868)
8 Il penseroso, S157b [4'07]
9 Canzonetta del Salvator Rosa, S157c [2'20]
10 En mémoire de Maximilien I – Marche funè­bre, S162d [5'54]
11 Album-Leaf in A flat ‘Portugal’, S166b [1'04]
12 Album-Leaf ‘Premiè­re Consolation’, S171b [0'40]
13 Schnitterchor Pastorale – Schnitterchor aus Prometheus, S507a [5'29]
14 Künstlerfestzug, S520i [10'01]
CD86
1 Festkl­­änge – Poè­me symphonique No 7, S511d [19'53]
2 La caritá, S552b [3'27]
Gioacchino Rossini (1792-1868)
3 La serenata e l’orgia – Grande fantaisie sur des motifs des Soirées musicales de Rossin i ‘Premiè­re grande fantaisie’, S422i [11'07]
Gioacchino Rossini (1792-1868)
4 Introduction des Variations sur une marche du Siè­ge de Corinthe, S421a [4'09]
Gioacchino Rossini (1792-1868)
5 Morceau en fa majeur, S695 [8'52]
6 Fantasie über englische Themen, S694 [14'25]
arr. Leslie Howard (b1948)
7 Anfang einer Jugendsonate, S692b [0'36]
8 Album-Leaf ‘Andantino in E flat major’ incomplete, S163a/2 [1'22]
9 Album-Leaf ‘Ah, vous dirai-je, maman’, S163b [0'22]
10 Album-Leaf in C minor ‘Pressburg’, S163c [0'15]
11 Album-Leaf in E major ‘Vienna’, S164a [0'31]
12 Album-Leaf in E flat ‘Leipzig’, S164b [0'38]
13 Album-Leaf ‘Exeter Preludio’, S164c [0'20]
14 Album-Leaf in E major ‘Detmold’, S164d [0'34]
15 Album-Leaf ‘Magyar’, S164e/1 [0'27]
16 Album-Leaf in A minor ‘Rákóczi-Marsch’, S164f [0'17]
17 Album-Leaf in E major, S166a [0'29]
18 Album-Leaf in A flat, S166c [1'04]
19 Album-Leaf ‘Lyon Prélude’, S166d/1 [0'05]
20 Album-Leaf ‘Prélude omnitonique’, S166e [0'06]
21 Album-Leaf in E major ‘Leipzig’, S163d [0'21]
22 Album-Leaf ‘Berlin Preludio’, S164g [0'08]
23 Album-Leaf ‘Braunschweig Preludio’, S166f/1 [0'09]
24 Album-Leaf ‘Serenade’, S166g [0'25]
25 Album-Leaf ‘Andante religioso’, S166h [2'16]
26 Mazurka in F minor, S221a [2'51]
CD87
1 Gaudeamus igitur – Paraphrase, S240ii [7'21]
2 Rapsodie hongroise II, S244/2bis [10'24]
3 Rapsodie hongroise X, S244/10bis [6'00]
4 Rapsodie hongroise XV, S244/15bis [5'59]
5 Magyar Rapszódia ‘Rapsodie hongroise XVI’, S244/16i [4'27]
6 Rapsodie hongroise XVIII, S244/18i [3'09]
7 Mephisto-Polka, S217ii [4'08]
8 Rapsodie hongroise XVIII, S244/18ii [3'20]
Trois Études de concert – Trois caprices poétiques, S144
9 No 3ter: Un sospiro, two further cadenzas [0'29]
10 Album-Leaf ‘Agnus Dei of the Missa Solemnis’, S167c [1'11]
11 Album-Leaf ‘Orpheus’, S167d [1'30]
12 Album-Leaf ‘Die Ideale’, S167e [1'07]
13 St Stanislaus fragment, S688a [0'50]
14 Winzerchor ‘Prometheus’, S692e [0'48]
15 La Mandragore ‘Ballade de l’opéra Jean de Nivelle’, S698 [1'53]
16 Glasgow fragment, S701f [1'27]
17 Operatic aria and sketched variation, S701h/1 [0'57]
18 Valse infernale, S701h/2 [0'12]
Giacomo Meyerbeer (1791-1864)
19 Allegro maestoso ‘Étude in F sharp major?’, S692c [0'34]
20 Rákóczi-Marsch, S692d [1'49]
21 Harmonie nach Rossini’s Carità­, S701j [1'33]
Gioacchino Rossini (1792-1868)
22 Marie-Poè­me, S701b [1'00]
23 Andante sensibilissimo, S701c [0'30]
24 Melodie in Dorische Tonart, S701d [0'59]
25 Dante fragment, S701e [0'57]
26 Polnisch, S701g [1'26]
27 Korrekturblatt ‘La lugubre gondola’, S701k [0'54]
CD88
1 Mazeppa – Poè­me symphonique No 6, S511c [17'40]
2 Valse in A major, S210b [1'01]
3 L­­ändler in D major, S211a [1'21]
4 Dumka, S249b [1'57]
5 Air cosaque, S249c [0'47]
6 Marche funè­bre, S226a [1'54]
7 Magyar tempo, S241b [1'09]
8 Pásztor Lakodalmas – Mélodies hongroises, S405a [7'56]
Count Leo Festetics (1800-1884)
9 Einleitung und Coda zu Raffs Walzer in Des-Dur, Op 51 No 1, S551a [3'48]
Joseph Joachim Raff (1822-1882)
10 Einleitung und Coda zu Rubinsteins Étude in C-dur ‘sur des notes fausses’, S554a [5'50]
Anton Rubinstein (1829-1894)
11 Einleitung und Coda zu Smetanas Polka, S570a [5'30]
Bedrich Smetana (1824-1884)
12 Einleitung und Schlußtakte zu Tausigs 3. Valse-Caprice, S571a [9'48]
Johann II Strauss (1825-1899)
13 Dritter Mephisto-Walzer, S215a [5'54]
14 Petite Valse ‘Nachspiel zu den drei vergessenen Walzer’, S695e [2'10]
Leslie Howard (b1948)
15 Grande Valse di bravura ‘Le bal de Berne’, S209 [7'33]
CD89
NEW DISCOVERIES
1 Album-Leaf ‘Freudvoll und leidvoll’, S166n [0'51]
2 Lilie, S166m/1 [0'38]
3 Hyrc, S166m/2 [1'02]
4 Mazurek, S166m/3 [0'38]
5 Krakowiak, S166m/4 [0'51]
Zigeuner-Epos, S695b
6 No 01: C minor. Lento [2'41]
7 No 02: C major. Andantino [1'02]
8 No 03: D flat major. Sehr langsam [2'44]
9 No 04: C sharp major. Animato [0'24]
10 No 05: D flat major. Tempo giusto [1'07]
11 No 06: G minor. Lento [7'27]
12 No 07: A minor ‘Rákóczi-Marsch’. Tempo di marcia [5'33]
13 No 08: D major. Adagio sostenuto a capriccio [4'13]
14 No 09: E flat major. Andante cantabile quasi adagio [5'19]
15 No 10: F major. Lento [3'56]
16 No 11: A minor. Lento [9'44]
17 Célè­bre mélodie hongroise, S243a [2'15]
18 Aux anges gardiens ‘Den Schutz-Engeln’, S162a/1bis [3'18]
19 Sunt lacrymae rerum – in ungarischen Weise, S162c/ii [7'51]
20 Postludium – Nachspiel – Sursum corda!, S162e [2'57]
21 La lugubre gondola, S199a [6'14]
22 Album-Leaf in F sharp minor, S163a/1 [0'21]
23 Album-Leaf in A major ‘Friska’, S166k [0'14]
24 Album-Leaf in G major ‘Dante-Symphony progression’, S167f [0'38]
CD90
Préludes et Harmonies poétiques et religieuses, S171d
1 No 1: untitled in E flat major [5'05]
2 No 2: Langueur?, in C minor [7'52]
3 No 3: untitled in E major [5'21]
4 No 4: -Derniè­re illusion (?), in D flat major [11'31]
5 No 5: untitled in G flat major [6'35]
6 No 6: Attente, in A major [3'54]
7 No 7: Alternative, in E major [1'26]
8 No 8: M.K., in D flat major [3'32]
9 Concerto sans orchestre, S524a [20'33]
10 Album-Leaf ‘Magyar in B flat minor’, S164e/2 [1'40]
11 Ungarischer Marsch in B flat major, S229a [2'13]
12 Pensées ‘Nocturne’, S168b [2'08]
13 Album-Leaf in D major, S164h [0'32]
14 Album-Leaf ‘Preludio’, S164j [0'19]
15 Album-Leaf in A flat major, S166l [1'06]
16 Album-Leaf, S167h [0'15]
17 O lieb, so lang du lieben kannst!, S540b [4'31]
arr. Leslie Howard (b1948)
CD91
Romancero espagnol, S695c
1 Part 1: Introduction and Fandango with variations [10'04]
2 Part 2: Elaboration of an unidentified theme [5'45]
3 Part 3: Jota aragonesa and coda [4'35]
Zwei Stücke aus dem Oratorium “Christus”, S498c
4 No 1a: Einleitung [5'48]
5 No 1b: Pastorale [9'38]
6 No 2: Das Wunder [8'03]
7 Magnificat, S182a [4'09]
Trois Chansons, S510a
8 No 1: La consolation [3'46]
9 No 2: Avant la bataille [3'38]
10 No 3: L’espérance [2'30]
11 Album-Leaf ‘Andantino in A flat major’, S166p [1'28]
12 Album-Leaf in G major, S166q [2'24]
13 Variations ‘Tiszántuli szép léany’, S384a [2'32]
14 Lyubila ya de Wielhorsky – Romance, S577i/bis [4'15]
Count Michael Jurjew Wielhorsky (1788-1856)
15 Schlummerlied, S186/7a [4'36]
16 Valse-Impromptu, S213bis [4'48]
CD92
1 Lyubila ya de Wielhorsky – Romance, S577i/ter [3'16]
Count Michael Jurjew Wielhorsky (1788-1856)
2 Marche des pè­lerins chantant la priè­re du soir de la Symphonie d’Harold en Italie composée par Berlioz, S473i [7'40]
Hector Berlioz (1803-1869)
3 Einzug der G­­äste auf Wartburg – Marsch aus Richard Wagners “Tannh­­äuser”, S445/1a [12'53]
Richard Wagner (1813-1883)
4 Adagio non troppo, S151a [2'25]
5 Album-Leaf ‘Andantino in E flat major’, S163a/2 [2'20]
6 Album-Leaf ‘Andante in E flat major’, S167r [1'31]
7 Album-Leaf in C major ‘Lyon’, S167s [0'25]
8 Album-Leaf ‘Quasi mazurek in C major’, S163e [0'19]
9 Album-Leaf ‘Adagio – religioso in C major’, S164l [0'36]
10 Album-Leaf ‘Agitato in G major’, S167l [0'51]
11 Album-Leaf ‘Andante religiosamente in G major’, S166j [0'57]
12 Album-Leaf ‘Tempo di marcia in E flat major’, S167o [0'22]
13 Album-Leaf ‘Fugue chromatique’ – Allegro in G minor, S167j [0'18]
14 Album-Leaf in E flat major, S167k [0'15]
15 Album-Leaf in G minor, S166l/2 [0'11]
16 Album-Leaf ‘Langsam in C sharp minor’, S166o [1'12]
17 Album-Leaf ‘Moderato in D flat major’, S164k [0'12]
18 Album-Leaf ‘Vivace ma non troppo in D flat major’, S167g [0'17]
19 Album-Leaf ‘Larghetto in D flat major’, S167p [0'29]
20 Album-Leaf ‘Schlusschor des entfesselten Prometheus’ – Andante solenne in D flat major, S167q [0'47]
21 Album-Leaf ‘Magyar in D flat major’, S164e/3 [0'14]
22 Prozinsky Fragment for piano, S701v [0'45]
23 Album-Leaf ‘Allegretto in A major’, S167n [0'16]
24 Album-Leaf in A major, S166s [0'37]
25 Album-Leaf in E major, S167t [0'45]
26 Album-Leaf ‘Andantino in E major’, S163d/ii [0'22]
27 Album-Leaf ‘Purgatorio’ – Andante in B minor, S166r/1 [1'49]
28 Album-Leaf ‘Aus dem Purgatorio des Dante Sinfonie’ – Lamentoso in B minor, S166r/2 [1'13]
29 Album-Leaf ‘Introduction to the Grande Étude de Paganini No 6′, S141/6bis [0'24]
30 Cadenza, S695f [0'19]
31 Album-Leaf ‘Aus den Erster Mephisto-Walzer, Episode aus Lenaus Faust’ – Der Tanz in der Dorfschenke, S167m [1'40]
32 Wilde Jagd – Scherzo, S176a [16'02]
CD93
THE RECITATIONS WITH PIANOFORTE
1 Lenore, S346 Lenore fuhr um Morgenrot [16'34]
with Wolf Kahler (reciter)
2 Der traurige Mönch, S348 In Schweden steht ein grauer Turm [7'06]
with Wolf Kahler (reciter)
3 Helges Treue, S686 König Helge fiel im heissen Steit [9'07]
with Wolf Kahler (reciter)
4 A holt költö szerelme /The Dead Poet’s Love/, S349 Zeng a liget a csalogány dalain ‘The grove resounds with the nightingale’s song [13'47]
with Sandor Elè­s (reciter)
5 Slyepoi /The Blind Man/, S350 The prince rode out early, his bodyguards around him [13'18]
with Yuri Stepanov (reciter)
CD94
HAROLD IN ITALY
Harold en Italie ‘Symphonie en quatre parties’, S472 Hector Berlioz (1803-1869)
1 Movement 1: Harold aux montagnes – Scè­nes de mélancolie, de bonheur e t de joie. Adagio – Allegro [16'30]
with Paul Coletti (viola)
2 Movement 2: Marche de pè­lerins – Chantant la priè­re du soir. Allegretto [6'59]
with Paul Coletti (viola)
3 Movement 3: Sérénade – d’un montagnard des Abruzzes à­ sa ma\’eetresse. Allegro assai – All egretto [6'37]
with Paul Coletti (viola)
4 Movement 4: Orgie de brigands – Souvenirs des scè­nes précédentes. Allegro frenetico [12'53]
with Paul Coletti (viola)
5 Romance oubliée, S132 [3'35]
with Paul Coletti (viola)
6 Hymne à­ Sainte Cécile, S491 [11'21]
Charles Gounod (1818-1893)
7 Le moine, S416 [8'40]
Giacomo Meyerbeer (1791-1864)
8 Festmarsch zu Schillers 100j­­ähriger Geburtsfeier, S549 [9'31]
Giacomo Meyerbeer (1791-1864)
CD95
MUSIC FOR PIANO & ORCHESTRA
Concerto No 1 in E flat major, S124
1 Movement 1: Allegro maestoso. Tempo giusto [5'38]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
2 Movement 2: Quasi adagio [5'33]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
3 Movement 3: Allegretto vivace [4'23]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
4 Movement 4: Allegro marziale animato [4'33]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
Fantasie über Motive aus Beethovens “Ruinen von Athen”, S122 Ludwig van Beethoven (1770-1827)
5 Movement 1: Tempo di marcia. Moderato [2'23]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
6 Movement 2: Cadenza del pianoforte – Allegro vivace ma non troppo – Allegro molto vivace – Cadenza del pianoforte [5'04]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
7 Movement 3: Allegretto – Poco a poco più mosso – Vivo – Tempo di marcia. Animato – Più allegro – Presto [5'48]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
Totentanz – Paraphrase über “Dies irae”, S126ii
8 Introduction: Andante – Presto – Allegro – Allegro moderato [1'54]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
9 Variation 1: Allegro moderato [0'53]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
10 Variation 2: L’istesso tempo – Un poco animato [0'47]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
11 Variation 3: Molto vivace [0'28]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
12 Variation 4 ‘canonique’: Lento – Presto [3'04]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
13 Variation 5: Vivace. Fugato – Cadenza [4'14]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
14 Variation 6: Sempre allegro, ma non troppo – Un poco meno allegro – Cadenza – Presto – Allegro animato [4'21]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
Grande fantaisie symphonique, S120 Hector Berlioz (1803-1869)
15 Movement 1: Lento [15'57]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
16 Movement 2: Allegro vivace – Andantino, senza interruzione – Vivace animato [13'45]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
CD96
Concerto in E minor for piano and strings ‘Malédiction’, S121
1 Movement 1: Quasi moderato ‘Malédiction’ – Sostenuto – Molto agitato – Calmato ‘Pleurs, angoisse’ [4'19]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
2 Movement 2: Un poco più animato – Un poco agitato – Vivo ‘Raillerie’ – Sempre più di fuoco [3'50]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
3 Movement 3: Energico nobilmente – Sempre moderato, a tempo rubato – Sostenuto – Recitativo. Patetico. Senza tempo – Andante lacrimoso [2'48]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
4 Movement 4: Animato con agitazione – Molto animato, quasi presto – Stretto – Strepitoso [4'49]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
Concerto in E flat, S125a Op post.
5 Movement 1: Andantino – Recitativo del pianoforte [1'50]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
6 Movement 2: Allegro – Tempo primo [3'14]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
7 Movement 3: Andante [4'02]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
8 Movement 4: Tempo primo – Allegro come prima [1'59]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
9 M ovement 5: Allegro vivace – Più mosso [2'51]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
Grand solo de concert, S365
10 Movement 1: Allegro energico – Patetico – Agitato 3’55
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
11 Movement 2: Grandioso [3'49]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
12 Movement 3: Più mosso – Stretta [2'15]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
13 Movement 4: Andante, quasi marcia funè­bre – Tempo giusto. Moderato – Allegro con bravura [4'49]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
Hexaméron – Morceau de concert ‘Grandes Variations de bravoure sur la marche des “Puritains” de Bellini’, S365a Vincenzo Bellini (1801-1835)
14 Movement 01: Extrê­mement lent [3'44]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
15 Movement 02: Tema. Allegro marziale [1'21]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
16 Movement 03: Variation 1. Ben marcato (Thalberg) [1'01]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
17 Movement 04: Variation 2. Moderato [2'53]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
18 Movement 05: Variation 3 di bravura. Allegro animato (Pixis) [1'38]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
19 Movement 06: Ritornello [0'23]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
20 Movement 07: Variation 4. Legato e grazioso (Herz) [1'51]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
21 Movement 08: Variation 5. Vivo e brillante (Czerny) [1'18]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
22 Movement 09: Interlude 1. Fuocoso, molto energico – Lento, quasi recitativo [2'10]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
23 Movement 10: Variation 6. Largo (Chopin) [1'28]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
24 Movement 11: Interlude 2. L’istesso tempo [1'09]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
25 Movement 12: Finale part 1. Molto vivace quasi prestissimo [1'39]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
26 Movement 13: Finale part 2. Allegro animato [1'57]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
C M von Webers Polonaise brillante, S367 Carl Maria von Weber (1786-1826)
27 Movement 1: Introduzione. Adagio – Quasi andante – Animato [3'32]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
28 Movement 2: Tempo di Polacca [7'55]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
CD97  
Concerto No 2 in A major, S125
1 Movement 1: Adagio soste nuto assai – Un poco più mosso [3'36]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
2 Movement 2: L’istesso tempo [1'42]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
3 Movement 3: Allegro agitato assai – Un po co più mosso – Tempo del Andante [1'57]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
4 Movement 4: Allegro moderato – In tempo [4'57]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
5 Movement 5: Allegro deciso – L’istesso tempo [2'27]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
6 Movement 6: Sempre allegro – Marziale, un poco meno allegro – Un poco animato [1'41]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
7 Movement 7: Un poco meno mosso – Allegro animato – Stretto – Sempre animato [4'42]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
De profundis – Psaume instrumental pour orchestre et piano principal, S121a
8 Movement 1: Andante [6'34]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
9 Movement 2: L’istesso tempo [8'44]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
10 Movement 3: Cadenza del pianoforte – A tempo [7'47]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
11 Movement 4: Allegro moderato. Tempo di polacca [7'05]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
12 Movement 5: Tempo primo [2'55]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
13 Movement 6: Allegro marziale [3'06]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
Grosse Fantasie ‘Wanderer’, S366 Franz Peter Schubert (1797-1828)
14 Movement 1: Allegro con fuoco ma non troppo [6'08]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
15 Movement 2: Adagio [7'20]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
16 Movement 3: Presto [4'36]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
17 Movement 4: Allegro [3'49]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
CD98
Concerto pathétique in E minor, S365b arr. Eduard Reuss (1851-1911)
1 Movement 1: Allegro energico ed appassionato, ma non troppo presto – Patetico – Agitato [4'35]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
2 Movement 2: Grandioso, un poco meno allegro – Andante [2'38]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
3 Movement 3: Andante sostenuto [6'05]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
4 Movement 4: Allegro agitato assai – Più moderato [1'41]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
5 Movement 5: Più mosso – Stretta [2'46]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
6 Movement 6: Lento quasi marcia funè­bre – Andante sostenuto – Allegro mosso – Allegro trionfante [7'35]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
Konzertstück in F minor, S367a Carl Maria von Weber (1786-1826)
7 Movement 1: Larghetto affettuoso [5'43]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
8 Movement 2: Allegro passionato – Adagio [4'42]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
9 Movement 3: Tempo di marcia [1'56]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
10 Movement 4: Più mosso – Presto gioioso [5'05]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
Totentanz – Phantasie für Pianoforte und Orchester ‘De profundis version’, S126i
11 Movement 01: Andante – Allegro – Allegro moderato [1'56]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
12 Movement 02: Variation 1. Allegro moderato [0'53]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
13 Movement 03: Variation 2. Un poco animato [0'47]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
14 Movement 04: Variation 3. Allegro animato [0'29]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
15 Movement 05: Variazione fugata [3'04]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
16 Movement 06: Alternativo. Allegretto scherzando – Variation 4 – Variation 5 – Variation 6 [1'23]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
17 Movement 07: Variation 7 [0'51]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
18 Movement 08: Adagio ma non troppo ‘De profundis’ [4'29]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
19 Movement 09: Allegro – Cadenza – Scherzando – Cadenza [2'15]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
20 Movement 10: Allegro con fuoco [1'12]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
21 Movement 11: earlier version of Variation 7 [0'42]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
Fantasie über ungarische Volksmelodien, S123
22 Movement 1: Andante mesto – Allegro molto [3'21]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
23 Movement 2: Allegro eroico – Più animato – Molto adagio, quasi fantasia – Moderato. Fest [4'53]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
24 Movement 3: Allegretto alla Zingarese – Molto animato – Cadenza [3'55]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
25 Movement 4: Vivace assai – Prestissimo [4'08]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
CD99
Ungarische Zigeunerweisen ‘Konzert im ungarischen Styl’, S714 Sophie Menter (1846-1918) & Pyotr Tchaikovsky (1840-1893)
1 Movement 1: Andanto con moto – Lento – Tempo I – Allegro – Cadenza – Adagio [3'43]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
2 Movement 2: Andante – Allegro – Cadenza [3'50]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
3 Movement 3: Allegretto – Cadenza – Andante – Lento [5'09]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
4 Movement 4: Allegretto – Allegro – Cadenza – Moderato – Allegro vivace – Presto [4'54]
with Budapest Symphony Orchestra, Karl Anton Rickenbacher (conductor)
Leslie Howard’s recording of Liszt’s complete piano music, on 99 CDs, is one of the monumental achievements in the history of recorded music. Remarkable as much for its musicological research and scholarly rigour as for Howard’s Herculean piano playing, this survey is invaluable to serious lovers of Liszt. Every known note of Liszt’s piano music has been recorded and is included here: Leslie Howard’s 57 original volumes plus the further 3 supplements. GUINNESS WORLD RECORD for the world’s largest recording series by a solo artist.